Insidious 4 – L’ultima chiave (2018) DVDRip Titolo originale: Insidious: Chapter 4 di Adam Robitel Lingua: Italiano Trama: —– Anno: 2018 Paese: Horror, Thriller Genere: USA Distribuidora: Warner Bros. Regia: Adam Robitel Attori: Lin Shaye, Kirk Acevedo, Spencer Locke, Josh Stewart, Angus Sampson, Javier Botet, Bruce Davison, Hana Hayes, Leigh Whannell, Caitlin Gerard, Marcus Henderson, Tessa Ferrer Formato originale: —– Traduzione: Italiano Visualizza Insidious 4 – L’ultima chiave di Adam Robitel online in HD Download y streaming links. ![]() Dec 18, 2017 Insidious: l'ultima chiave - Trailer Italiano ufficiale in HD Un film di Adam Robitel. Con Lin Shaye, Javier Botet, Spencer Locke, Angus Sampson, Caitlin. Insidious 4 – L’ultima chiave (2018) DVDRip Titolo originale. Scarica – Zero in condotta – Gratis in Italiano DVDRip HD; Scarica – L’ultima ruota del. ![]() ![]() ![]() ![]()
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Share this Rating. Title: The Commuter (2018) 6.6 /10. Want to share IMDb's rating on your own site? Use the HTML below. Title: The Commuter (2018) 6.5 /10. Want to share IMDb's. Prime Video Unlimited Streaming of Movies & TV. Amazon Germany Buy Movies on DVD & Blu-ray. ![]() Hard to believe that it has been 10 years since Liam Neeson became an unexpected action star with the lean, spare but brutally effective thriller 'Taken', and in the decade that's passed cemented his late renaissance with well-executed B-movie fare like 'The A-Team', 'The Grey', 'Unknown', 'Non-Stop' and 'Run All Night'. The last three were also notable for being collaborations with director Jaume Collet-Serra, and the now 65-year-old has extended their team-up with 'The Commuter', which sees Serra further lay claim to a modern-day Alfred Hitchcock with a couple of high-wire scenes that would certainly make the latter proud. As with before, there is a high-concept scenario at the heart of this deliberately old-fashioned thriller: an everyday insurance salesman Michael McCauley (Neeson) finds his routine evening commute back home from work disrupted by the enigmatic stranger Joanna (Vera Farmiga), who sits opposite him on the Metro-North train and offers him a hefty financial reward if he is able to spot someone on the train who isn't a familiar face. ![]() In order for Michael to be tempted in the first place, first-time screenwriters Byron Willinger and Philip de Blasi set him up to lose his job on that same day, leaving him floundering over his two mortgages as well as tuition fees for his college-bound son - although because this is Neeson we're talking about, you know Michael will eventually do the right, honorable and even heroic thing. To up the ante, Michael is only given slightly more than half an hour before the train reaches Cold Spring to find the individual he is told later on goes by the name of Prynne; and to raise the stakes, it turns out that Joanna has also held his wife and son hostage, both of whom she threatens to kill if Michael fails to complete his mission. True to his Hitchcockian ambition, Serra spins an intriguing web of mystery over most of the middle act, and there are at least three riveting questions that are teased. Who is Prynne? Who is Joanna and/or the people she is working with or for? And finally, what does Joanna want with Prynne? These in turn translate into solid character work for the proverbial strangers on the train whom Michael probes to locate his mark - among them a feisty college student (Florence Pugh), an arrogant Wall Street banker (Shazad Latif), an emotionally distraught nurse (Clara Lago), a tattooed bruiser (Roland Moller) and a taciturn teenager (Ella-Rae Smith). Yet Serra is all too aware that a whodunnit in and of itself is unlikely to satiate a good proportion of his audience, who are here to watch Neeson engage in the sort of close-quarter fisticuffs a la 'Taken'. So in between playing detective, Michael also gets a couple of well-choregraphed brawls - one of them takes place in the confines between carriages, while another that is impressively done in a single take plays out over an entire carriage with everything from a gun, an ax, a guitar and seat cushions used as weapons. There is visibly concerted effort to keep these fight sequences real, so even though Neeson's character is revealed earlier on to be an ex-cop, the film doesn't (thankfully) use that as an excuse to gift him with 'a very particular set of skills' to take down his opponents too easily, skilfully or neatly. Like other locomotive-set thrillers, this one doesn't escape without the train in question going out of control and then literally off the rails. That it is well-staged is undeniable - not even some subpar CGI in some shots can detract from the sheer white-knuckle tension of seeing almost the whole train flip into the air - but this spectacle-fuelled conclusion arguably strains the credibility of the high-concept movie even further, and is therefore both better and worse off for it. Notwithstanding, Neeson remains through and through the film's emotional centre, conveying the frustration, helplessness and resolve of a regular guy who is trying to get his life back in control from those that have snatched it away from him. ![]() Lest we forget, this is a role that the thespian can easily do in his sleep, but Neeson still brings his considerable gravitas to bear. Mind you, not all the gaps in the narrative will be filled in by the end (which seems to set up the possibility of a sequel) nor will some of the explanations pass muster under closer scrutiny. Still, a film like this isn't meant to be held up under such examination or intended to offer any more than solid B-movie guilty pleasures; on the latter count though, it does succeed brilliantly and beautifully by mixing classic Hitchcockian tension with adrenaline-pumping action. We dare say that it ranks among one of Neeson's best in his action oeuvre, and if you're in the mood for some pulpy thrills and suspense, then you'll definitely want to get on this train. Ogni giorno trovamo i nuovi sensazioni, emozioni positivi, cose meravigliose e ci scordamo che il buon film che potete guardare online anche ve ne puo dare. Soltanto nuovi film con qualita altissima sono raccoglieti in nostro sito CineBlog01. Jan 16, 2018 L'uomo sul treno, l'action-thriller diretto da Jaume Collet-Serra, racconta una corsa contro il tempo, una caccia serrata sui binari in cerca di un. Jan 15, 2018 L'uomo sul treno, l'action-thriller diretto da Jaume Collet-Serra, racconta una corsa contro il tempo, una caccia serrata sui binari in cerca di un. Jan 22, 2018 Iscriviti al nostro canale: L'uomo sul treno diretto da Jaume Collet-Serra, con Liam Neeson, Vera Farmiga, Dean-Charles Chapman. L'uomo sul treno - The Commuter. Pagine ufficiale italiana del film L'uomo sul treno - The Commuter, con Liam Neeson, al cinema dal 25 gennaio. Ultime frasi di ricerca: L'uomo sul treno - The Commuter Streaming ITA. The Commuter Streaming HD, guardare L'uomo sul treno - The Commuter. ![]() Bisogna solo cliccare il bottone “play” per sentire tutti vantaggi della visione di film online gratis senza registrazione e sms. Consigliamo non perdere il tempo e guardare i Italia Film Streaming Gratis con qualita buona HD 720p - Alta Definizione in nostra cinemaportale. ![]() ![]() From the makers of Plants vs. Zombies 2 and Plants vs. Zombies Garden Warfare 2 comes the next great game in the epic battle between doom and bloom – Plants vs. Zombies Heroes. Oct 29, 2017 Download to race now! ELECTRONIC ARTS. Defeat zombies throughout the ages in this fun, action-strategy. V4.3.12: Download from Server 1 – Download from Server 2. V5.0: Download from Server 1 – Download from Server 2 – Download from Server 3 (Rating: 4.48 − 702. ![]() Collect Heroes with outrageous and incredible super powers and build your ultimate battle team. Embark on a journey to discover new characters, and confront mighty opponents along the way. And, for the first time ever on mobile, play as either plants or zombies. It’s the lawn of a new battle! COLLECT YOUR HEROES Collect and choose from 20 unique Plant and Zombie Heroes and unlock their lawn-inspiring super powers. Will you pick Plants and deploy the masked, sharp-shooting avenger, Green Shadow? Or will you choose a Zombie Hero and call on the superbly superficial Super Brainz, Zomboss’s secret weapon with a powerful punch and fondness for hair gel? Each Hero’s selection of super powers will help determine your team’s winning strategy. FORM YOUR TEAM Every Hero needs a crew. Build yours and diversify your skills by collecting teammates – from the PvZ characters you know and love, to daring new plants and zombies. There are hundreds to discover! Devise distinct strategies for your Hero by selecting compatible teammates and experiment with devastating combos. Or, use Auto Team-Builder to quickly create your team, try out new strategies, and automatically upgrade your teams as you collect new characters. GO ON COURAGEOUS ADVENTURES Journey through the universe of PvZ Heroes as each action-packed skirmish takes you further along an ever-blooming map. Battle brain-thirsty or botanical foes – each side has a different path to follow. Encounter challenging bosses with tricky powers and abilities, and defeat them for legendary rewards! PLAY AGAINST FRIENDS AND FOES Test your team when you take on other players in exciting real-time matches. Earn rewards for defeating your bite-iest adversaries, and build your bank when you complete Daily Missions from Crazy Dave. Who will become the ultimate horticultural hero? Harvest your courage – the battle is on! Important Consumer Information: Requires acceptance of EA’s Privacy & Cookie Policy and User Agreement. Collects data through third party analytics technology (see Privacy & Cookie Policy for details). Contains direct links to the Internet and social networking sites intended for an audience over 13. From Creator/Executive Producer Tim Kring, who imagined NBC's original critically acclaimed 2006 'Heroes' series, comes 'Heroes Reborn,' an epic 13-episode event series that chronicles the lives of ordinary people who discover they possess extraordinary abilities. A year ago, a terrorist attack in Odessa, Texas left the city decimated. Blamed for the tragic event, those with extraordinary abilities are in hiding or on the run from those with nefarious motives. Two such vigilantes include Luke (Zachary Levi, 'Chuck') and Joanne (Judith Shekoni, 'The Twilight Saga: Breaking Dawn - Part 2'), who are seeking to avenge a tragic loss. Noah Bennet, aka HRG (Jack Coleman, 'Heroes'), has gone off the grid, but conspiracy theorist Quentin Frady (Henry Zebrowski, 'A to Z') finds him and opens his eyes to the truth behind the Odessa tragedy. While in hiding, some are discovering their newfound skills. Awkward teen Tommy (Robbie Kay, 'Once Upon a Time') just wants to be normal and win the girl of his dreams, Emily (Gatlin Green, 'Criminal Minds'), but normalcy is virtually impossible after learning of a new ability that terrifies him. Coming from a very sheltered upbringing, a bold and ethereal teenager, Malina (Danika Yarosh, 'Shameless'), has been told she is destined for greatness. In Tokyo, a quiet and unique young woman, Miko (Kiki Sukezane, 'Death Yankee 3'), is trying to track down her missing father while hiding an extraordinary secret that will make her a force to be reckoned with. Elsewhere, a different type of hero is emerging through former soldier Carlos (Ryan Guzman, 'The Boy Next Door'). Meanwhile, Erica (Rya Kihlstedt, 'Masters of Sex'), the head of the highly successful tech conglomerate Renautas has an agenda of her own. For better or for worse, some are fated to cross paths with assorted heroes of the past, including Hiro Nakamura (Masi Oka), Matt Parkman (Greg Grunberg), Mohinder Suresh (Sendhil Ramamurthy) and the Haitian (Jimmy Jean-Louis), among others. Yet, together, their ultimate destiny is nothing less than saving the world and mankind. Joining Kring are Executive Producers James Middleton ('Terminator: The Sarah Connor Chronicles') and Peter Elkoff ('Sons of Anarchy'). 'Heroes Reborn' is produced by Imperative Entertainment, in association with Universal Television. ![]() Esta actividad ha terminado. Espera los resultados del sorteo el 15 Noviembre de 2017. Jan 14, 2018 Condorito: La Pelicula summary of box office results, charts and release information and related links. The most beloved comic strip in Latin America comes to life this January with Condorito: La Pelicula! The famous character and his pals are animated in. ![]() Record Rank Amount 9,086 $404,700 4,025 $6,700,000 6,936 $7,104,700 2,443 $404,700 163 $404,700 226 $6,700,000 231 $7,104,700 See the tab (Domestic) and tab (International and Worldwide) for more Cumulative Box Office Records. Movie Details Domestic Releases: January 12th, 2018 (Limited) by, released as Condorito: The Movie International Releases: October 13th, 2017 (Wide) () October 13th, 2017 (Wide) () October 13th, 2017 (Wide) () MPAA Rating: for rude and suggestive humor, and some mild action. (Rating bulletin 2508 (Cert #51381), 1/3/2018) Running Time: 88 minutes Comparisons: Keywords:,,,, Source: Genre: Production Method: Creative Type: Production Countries:,, Ranking on other Records and Milestones. January 17th, 2018 was the only film in the $10,000 club this past weekend, earning an average of $18,513 in 62 theaters. January 12th, 2018 Awards Season is in full swing, so the moviegoers most likely to head out to see a limited release are preoccupied with the latest surprise / snub. This has resulted in a terrible week for limited releases. It’s so bad that if we stuck with our usual rule of needing 10 reviews to be listed here, there would only be a few movies. Even being more generous, there’s not a lot to talk about this week. The movie is, while is its only real. January 1st, 2018 2017 wasn’t a good year. It started out well and on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, and are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is and it isn’t expected to match its at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last, we had a new release, and an Oscar contender,, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss. When they learn that their brother Matt Denton (Ross Latimer) is awaiting trial in California, charged with train robbery, deputies Tom Denton (Preston Foster) and Fred Denton (Jim Davis) leave their home in Fort Grant, Texas and head west. They arrive in Tulare just in time to rescue Matt from being hanged, but a guard is killed during their escape. Ed Larkin (Rory Mallinson) who framed Matt, falsely accuses them of a long list of crimes. They return to Fort Grant so that Tom can see his. Topics: Sam Newfield, Preston Foster, Jim Davis, Virginia Grey, Kim Spalding, William Haade, Monte Blue. Shalee Jethro (Dorothy Malone) helps her father run a desert stagecoach station. Five desperate outlaws arrive at the station to await a gold shipment they plan to rob, and Shalee becomes their hostage bait in several ways, and then the men begin to fight among themselves. ![]() Four of them attack her but she is saved by Govern Sturges (John Lund), who also turns out to be a Confederate officer planted among the gang Topics: Roger Corman, John Lund, Dorothy Malone, Mike Connors, R. Wright Campbell, Jonathan Haze, Paul. Watch full-length feature films, classic shorts, world culture documentaries, World War II propaganda, movie trailers, and films created in just ten hours: These. Buat akun, bangun komunitas setiap hari, temukan video baru. In this murder mystery, sexy blonde film star Irma Gladden is found dead in her car after shooting the last scene in her film, 'Falling Star' at Eminent Studios. The suspects are numerous due to her free and easy lifestyle and messy romantic affairs. Among them are Grace Sibley the jealous wife of her director, Warren Sibley, her drunken actor husband, Andre Leighton, her screenwriter boyfriend, Rex Forsythe, and her first husband, Robert Worth. Also on hand to help solve the mystery. Topics: Fred C. Newmeyer, Natalie Moorhead, Russell Hopton, J. ![]() Farrell MacDonald, Barbara Weeks, Jason. Shalee Jethro (Dorothy Malone) helps her father run a desert stagecoach station. Five desperate outlaws arrive at the station to await a gold shipment they plan to rob, and Shalee becomes their hostage bait in several ways, and then the men begin to fight among themselves. Four of them attack her but she is saved by Govern Sturges (John Lund), who also turns out to be a Confederate officer planted among the gang Topics: Roger Corman, John Lund, Dorothy Malone, Mike Connors, R. Wright Campbell, Jonathan Haze, Paul. ![]() Bill O'Brien is promoted to lieutenant in the police department for his arrest of Mike Patello, gang leader and racketeer, for murder. Ruth Dale, who loves Bill, is concerned when her brother, Johnny, who witnessed the murder, proposes to testify against the racketeer. Meanwhile, Captain Antrim informs Bill that his father has just been released from prison and does not know his son is a policeman. On the way from prison, O'Brien (J. P.) meets Limo, a former cockney pal who recognizes Bill and. Topics: Tay Garnett, William Boyd, Ernest Torrence, Dorothy Sebastian, Ralf Harolde, Paul Hurst, Russell. ![]() ![]() Running time 119 minutes 126 minutes (extended 2005 version) Country Italy Spain France Language English German Spanish The Passenger (: Professione: reporter) is a 1975 directed. Written by, and Antonioni, the film is about an - journalist, David Locke () who assumes the identity of a dead businessman while working on a documentary in, unaware that he is impersonating an arms dealer with connections to the rebels in the current civil war. Co-starring, The Passenger was the final film in Antonioni's three-picture deal with producer and, after and, and competed for the at the. Contents • • • • • • Plot [ ] David Locke () is a television journalist making a documentary film on post-colonial Africa. To finish the film, he is in the seeking to meet with and interview rebel fighters involved in. Struggling to find rebels to interview, he is frustrated when his gets hopelessly stuck on a sand dune. After a long walk through the desert back to his hotel, a thoroughly glum Locke discovers that an Englishman, Robertson (Charles Mulvehill), who has also been staying there and with whom he had struck up a friendship, has died overnight at the hotel. Locke decides to switch identities with Robertson; he is tired of his work, his marriage and his life, and sees an opportunity for a fresh start. Posing as Robertson, Locke reports his own death at the front desk, where the hotel manager mistakes Locke for Robertson, and the plan goes off without a hitch. In London, Locke's wife Rachel () has been having an affair. She feels guilt-ridden and torn when she is informed of her husband's death. She approaches Locke's friend, Martin (), a producer at the, in an attempt to get in touch with Robertson so that she may learn more about her husband's last days. Meanwhile, 'Robertson' (Locke) has flown off to Europe with the dead man's belongings, including his appointment book. Locke soon learns that Robertson was gunrunning for the rebels whom, as a reporter, Locke had been trying to contact in the desert. When he goes to check out an airport locker listed in Robertson's diary, Locke is tracked down by the rebels' point man in Europe. He is there to complete the weapons sale. Since neither man has ever seen the other before, Locke's false identity is not revealed, and he hands the men the documents from Robertson's locker, and receives the first down-payment for the set up arms deal with Robertson before his death. Later Locke accidentally spots Martin on a street in, as the latter tries to track Robertson down on behalf of Rachel. Locke backtracks and at this point bumps into an architecture student () while trying to hide nearby. He asks her to fetch his belongings from the hotel, so he won't be seen there by Martin who camped out to catch up with 'Robertson'. Martin overhears that she is collecting Locke's baggage, and requests him to take her to meet 'Robertson'. The Passenger - 1975. A frustrated war correspondent, unable to find the war he's been asked to cover, takes the risky path of co-opting the I.D. Of a dead arms. The Passenger has 19,071 ratings and 2,941 reviews. Karen said: this is a three-star book but i had a four-star time reading it.it's a really fun fast. She manages to evade him, and join with Locke who leaves off Barcelona. They become lovers, and later, while trying to explain his rather odd behaviour, Locke confesses that he has stolen a dead man's identity. ![]() ![]() Locke is flush with cash from the down payment on the arms he cannot deliver, yet he is drawn to keep the meetings listed in Robertson's note book. In the meantime, Rachel has received his left behind belongings, which were returned from Africa. Having heard from Martin of his unsuccessful chase of the elusive 'Robertson', Rachel is shocked as she opens Locke's passport, to see Robertson's photo pasted inside. ![]() Having realised why 'Robertson' was so elusive, Rachel now heads off to Spain to track down Locke, who is in flight from the Spanish police, brought in by Rachel to track Robertson. The student girl is however loyal to Locke and helps him to evade, providing rational advice, but Locke sends her away, intending to reunite later in. Reaching the Gloria hotel in the Spanish town of, province of, Locke finds out that the girl has already booked them a double room, but then again he persuades her that she better leave. Taking her time, she wanders the dusty parking out, while the rebel agents in pursuit of Robertson arrive at the hotel. There Locke's assassination takes place, mostly off screen, in long take, ending with a single heard gun shot. The rebels leave the scene minutes before the police arrive with Rachel, to find Locke motionless in bed. There his wife says to the police agents, she 'never knew' the dead man, while the student girl identifies him as Robertson. • as David Locke • as the Girl • as Stephen • as Martin Knight • as Rachel Locke • Ambroise Bia as Achebe • Charles Mulvehill as David Robertson • as Hotel Keeper • James Campbell as Witch Doctor • Manfred Spies as German Stranger • Jean-Baptiste Tiemele as Murderer • as Police inspector Production [ ] In a long take early in the film, Locke (Nicholson) is exchanging passport photos in his hotel room, with a tape recording playing an earlier conversation between Locke and Robertson, now dead. The camera pans, without a cut, to hold on Robertson's now live appearance on the balcony, when Locke appears beside him and the two of them continue talking, i.e. An in-camera in-single-shot flashback. The film's shot is a seven-minute which begins in Locke's hotel room, looking out onto a dusty, run-down square, pushes out through the bars of the hotel window into the square, rotates 180 degrees, and finally tracks back to a close exterior view of the room's interior. • The location of the hotel is stated to be Osuna in the film. However, the bullring at the edge of the square is recognisably that of the one in the Spanish town of, in the. In a DVD commentary, decades later, Nicholson said Antonioni built the entire hotel so as to get this shot. • Since the shot was continuous, it was not possible to adjust the lens aperture as the camera left the room and went into the square. Hence the footage had to be taken in the very late afternoon near dusk, in order to minimise the lighting contrast between the brightness outside and that in the room. • The square was windy and the crew needed stillness to ensure smooth camera movement. Antonioni tried putting the camera in a sphere so the wind might catch it less, but this would not fit through the window. In the scene, it appears that the bars may have been adjusted to be removed as the camera approached them. [ ] • The camera ran on a ceiling track in the hotel room and when it came outside the window, was meant to be picked up by a hook suspended from a giant crane nearly 30 metres high. A system of was fitted on the camera to steady it during the switch from this smooth indoor track to the crane outside. Meanwhile, the bars on the window had been given hinges. When the camera reached the window and the bars were no longer in the field of view, they were swung away to either side. At this time the camera's forward movement had to stop for a few seconds as the crane's hook grabbed it and took over from the track. To hide this, the lens was slowly and smoothly zoomed until the crane could pull the camera forward. Then the cameraman walked the camera in a circle around the square, giving the crew time to shut the window bars before the camera returned to look through the window from the outside this time. Antonioni directed the scene from a van by means of monitors and microphones, talking to assistants who communicated his instructions to the actors and operators. Although this is often referred to as the 'final shot' of the film, there is one more. The last passage shows a small driving school car pulling away in the twilight, and the camera holds on the hotel as the film's credits begin to roll. Reception [ ]. Roof of in Barcelona, as seen in 2005. The look of the roof was quite different in 1975, during filming of The Passenger. Locke (Nicholson) asks the Girl to get his things from the hotel so as not to be seen by his friend from the BBC. The Passenger has been widely praised for its camerawork (by ) and its acting. It competed for the award at the. The film was praised by such critics as of and of. Wrote that it was a perceptive look at identity, alienation and the human desire to escape oneself. It was placed 110th in the 2012 critics' poll. References [ ] Explanatory notes. Running time 116 minutes Country United States Language English Budget $110 million Box office $303.1 million Passengers is a 2016 American directed by and written. It stars,, and. The story depicts two people who are awakened some 90 years too soon from an on a spaceship bound for a new planet. The film was released in the United States on December 21, 2016, in 2D and RealD 3D. It grossed $303 million worldwide but received mixed reviews from critics. The film was nominated for and at the. Contents • • • • • • • • • • • • • Plot [ ] The Avalon is transporting 5,000 colonists and 258 crew members, in pods, to the planet Homestead II, a journey taking 120 years. Thirty years into its journey, the ship passes through an asteroid field, which causes a malfunction. The malfunction awakens one passenger, mechanical engineer Jim Preston, 90 years too early. After a year of isolation, with no company except an named Arthur, Jim grows despondent and contemplates. One day, he notices Aurora Lane in her pod. He watches her video profile and is immediately smitten. After struggling with the morality of manually reviving Aurora for companionship, he awakens her, claiming her pod also must have malfunctioned. Aurora is devastated that she will grow old and die before the ship reaches Homestead II. Her attempts to re-enter hibernation are fruitless. Eventually, she accepts her situation and begins writing a book about her experiences. Jim and Aurora grow closer, and eventually fall in love. After another year, Jim inadvertently allows Arthur to reveal the truth to Aurora by saying that he and Aurora have 'no secrets' between them. Aurora is devastated; she considers his action tantamount to murder. She alternately berates, shuns, and physically attacks Jim. The two refrain from contact for some time. Soon after, another pod failure awakens Gus Mancuso, Chief Deck Officer. The three discover multiple failures throughout the ship's systems. If not repaired, the ship will continue to suffer critical system failures. Gus attempts to repair the ship with Jim and Aurora's help, while Aurora still blames Jim for stealing her life. Gus becomes ill; unlike Jim's, his body was physically damaged by his malfunctioning pod. The Autodoc, an automated medical diagnostics and treatment pod, shows he has only hours to live. Before dying, Gus gives Jim and Aurora his ID badge to access crew-only areas and repair the ship. Jim and Aurora discover a series of hull breaches from the meteor collision two years earlier. The computer module administering the that powers the ship has been damaged, causing the ship's escalating malfunctions. Jim and Aurora replace the damaged module. The computer attempts to vent the reactor in order to extinguish a massive reactor fire, but fails. Jim realizes that the reactor must be vented by opening the vent hatch from the ship's exterior. Aurora assists, while admitting she is terrified of losing Jim and being left alone. Aurora, from inside the ship, and Jim, outside, vent the reactor. Jim's tether snaps and his damaged spacesuit loses oxygen; Aurora retrieves and resuscitates Jim in the Autodoc. He later learns that the Autodoc can function as a makeshift hibernation pod—for one person. Aurora would never see Jim again. Eighty-eight years later, the ship's crew awaken as scheduled, shortly before arrival on Homestead II. They discover a small house amid lush flora fauna on the ship's grand concourse area. Aurora's book reveals that she chose to stay awake with Jim and continue writing her story. Cast [ ] • as Aurora Lane, a writer • as Jim Preston, a mechanical engineer • as Arthur, an on the Avalon • as Chief Gus Mancuso, the chief deck officer • as Captain Norris (non-speaking cameo) Production [ ] Development [ ] The original script for Passengers was written by in 2007, and had been in for years. In this original script, character Aurora's original surname was Dunn. At one point, the film was set to star and. The film's production budget was a relatively low $35 million, and at various points in its development, actors attached to it included,, and. Was originally scheduled to make his feature directorial debut with the film, with Reeves in the lead. On December 5, 2014, it was announced that had won the rights to the film. In early 2015, was chosen to direct the film. Tyldum had always wanted to do a massive sci-fi action movie, but also stressed the importance of a 'big guy' character-driven sci-fi film, rather than a cold and distant one. Described its plot as bearing a resemblance to the story '50 Girls 50' by, first published in the July–August 1953 issue of Weird Science, in which two passengers of a colony spaceship are awoken from hibernation early and fall in love. The cast –,,, and – were announced between February 2015 and January 2016. Lawrence was paid $20 million against 30 percent of the profit after the movie and Pratt was paid $12 million. Filming [ ] on the film began in September 2015 in. Filming occasionally took place for full days with a bulk of the shooting done around the two leads only. Was cinematographer, and was film editor. Music [ ] composed the musical score for Passengers. Spaihts said that he wrote Passengers while listening to Newman's previous scores. Also, recorded a song, 'Levitate', for the film's soundtrack. It was released on November 29, 2016. Release [ ] In August 2015, set the film's release date for December 21, 2016, in the United Kingdom, United States and Canada. The film was concurrently released in and formats, with the international rollout running through Christmas and the New Year, to January 12, 2017. Box office [ ] Passengers grossed $100 million in the United States and Canada and $203.1 million in other territories for a worldwide total of $303.1 million, against a production budget of $110 million. It is the second-highest grossing original live-action Hollywood release of 2016, after. Passengers opened alongside and, and was initially expected to gross around $50 million from 3,478 theaters over its first six days of release, although the studio was projecting a more conservative $35 million debut. After making $1.2 million from Tuesday night previews and $4.1 million on its first day, projections for the six-day opening were lowered to $27 million. It went on to gross $15.1 million in its opening weekend (a six-day total of $30 million), finishing third at the box office behind and Sing. It became the third-biggest original live-action domestic release of 2016 behind ($126 million) and La La Land ($149 million). Critical response [ ], a, reports that 30% of 235 surveyed critics gave the film a positive review; the is 5/10. The site's critical consensus reads, ' Passengers proves Chris Pratt and Jennifer Lawrence work well together – and that even their chemistry isn't enough to overcome a fatally flawed story.' On, the film has a score of 41 out of 100 based on 48 critics, indicating 'mixed or average reviews'. Audiences polled by gave the film an average grade of 'B' on an A+ to F scale. Mick LaSalle of gave the film three out of four stars. He stated 'despite the confinement and the limited cast, Passengers has moments of intense drama that take the actors to places of extreme feeling.' James Dyer of gave the film 4 out of 5 stars, stating the film is 'as surprisingly traditional as it is undeniably effective.' He described the film as ' amongst the stars' and 'a touching, heartfelt tale of loss and love for the generation.' Peter Keough of gave the film three and a half out of five stars, stating 'perhaps as a well-written play for a cast of three, Passengers might have been first class. Instead, it's just another mediocre thrill ride.' Peter Bradshaw of called the film an 'appealing sci-fi romance' but criticized the final act as an 'anticlimax'. He gave the film three out of five stars. Rebecca Hawkes of described the film as not a romance but 'a creepy ode to manipulation', describing the action as a 'central act of violence' that is softened and justified. Andrew Pulver of The Guardian called it an 'interstellar version of social-media stalking' with 'a fantastically creepy start' that, contrary to romantic comedies that manage to 'plane down' the nastiness of stalking tactics, presents them in a way where 'it's gruesomely inescapable'. Alissa Wilkinson of called it 'a fantasy of, in which the captured eventually identifies and even loves the captor' and 'a really disturbing wish fulfillment fantasy'. Home media [ ] Passengers was released on DVD and Blu-ray on March 14, 2017, and was made available on Digital HD from and on March 7, 2017. On March 14, 2017, Passengers: Awakening, a virtual reality experience based on the film launched for and. Accolades [ ] List of awards and nominations Award Date of ceremony Category Recipient(s) Result Ref(s) and Nominated Guy Hendrix Dyas Won Passengers Nominated Thomas Newman Guy Hendrix Dyas References [ ]. December 8, 2016. Retrieved December 8, 2016. Retrieved May 12, 2017. January 24, 2017. Retrieved January 24, 2017. • Kroll, Justin (17 July 2015).. Retrieved 25 November 2016. • Hawkes, Rebecca (November 24, 2016)... • ^ Kim Masters (June 16, 2015)... Retrieved April 13, 2016. Retrieved 16 July 2013. 18 April 2013. Retrieved 16 July 2013. • Fleming Jr, Mike (December 5, 2014).. Retrieved December 7, 2014. • Fleming Jr, Mike (January 27, 2015).. Retrieved January 28, 2015. • Brian Truitt (September 20, 2016)... Retrieved September 20, 2016. • Chilton, Luke (September 20, 2016).. Retrieved November 17, 2016. • Kroll, Justin (February 6, 2015).. Retrieved February 8, 2015. • Sneider, Jeff (February 6, 2015).. Retrieved February 8, 2015. • Kroll, Justin (July 17, 2015).. Retrieved August 6, 2015. • Ford, Rebecca; Siegel, Tatiana (August 5, 2015).. Retrieved August 6, 2015. • Galuppo, Mia (February 16, 2016).. Retrieved February 19, 2016. The Hollywood Reporter. September 29, 2016. Retrieved October 1, 2016. Venture Capital Post. September 25, 2015. Retrieved September 27, 2015. September 24, 2015. Retrieved September 27, 2015. • Jack Moulton (March 9, 2016).. Awards Circuit. Retrieved September 7, 2016. • Christopher Hooton (March 17, 2016)... Retrieved September 7, 2016. • Film Music Reporter (September 9, 2016).. Film Music Reporter. Retrieved September 10, 2016. • Spaihts, Jon [@jonspaihts] (September 20, 2016). Retrieved September 21, 2016 – via. • Mitchell, Bea (29 November 2016)... Retrieved 7 December 2016. • Kroll, Justin (August 5, 2015).. Retrieved September 21, 2015. September 20, 2016. Retrieved September 20, 2016. • ^ Scott Mendelson (March 15, 2017)... Retrieved March 15, 2017. • McClintock, Pamela.. The Hollywood Reporter. Retrieved December 20, 2016. The Hollywood Reporter. Retrieved November 6, 2017. Retrieved December 23, 2016. • on (December 21, 2016).. Retrieved June 1, 2017. • LaSalle, Mick... Retrieved December 20, 2016. • Dwyer, James... Retrieved December 20, 2016. • Keough, Peter.. • Bradshaw, Peter... Retrieved December 20, 2016. The Daily Telegraph. Retrieved December 29, 2016. • Andrew Pulver (December 15, 2016).. • Wilkinson, Alissa.. Retrieved December 29, 2016. • Nordyke, Kimberly (January 24, 2017).. The Hollywood Reporter. Retrieved January 24, 2017. January 24, 2017. Retrieved January 24, 2017. • Hipes, Patrick.. Retrieved 27 January 2017. • McNary, Dave (March 2, 2017).. Retrieved March 3, 2017. External links [ ] • • on • at • at • at •. Ciliciam vero, quae Cydno amni exultat, Tarsus nobilitat, urbs perspicabilis hanc condidisse Perseus memoratur, Iovis filius et Danaes, vel certe ex Aethiopia profectus Sandan quidam nomine vir opulentus et nobilis et Anazarbus auctoris vocabulum referens, et Mopsuestia vatis illius domicilium Mopsi, quem a conmilitio Argonautarum cum aureo vellere direpto redirent, errore abstractum delatumque ad Africae litus mors repentina consumpsit, et ex eo cespite punico tecti manes eius heroici dolorum varietati medentur plerumque sospitales. Restabat ut Caesar post haec properaret accitus et abstergendae causa suspicionis sororem suam, eius uxorem, Constantius ad se tandem desideratam venire multis fictisque blanditiis hortabatur. Quae licet ambigeret metuens saepe cruentum, spe tamen quod eum lenire poterit ut germanum profecta, cum Bithyniam introisset, in statione quae Caenos Gallicanos appellatur, absumpta est vi febrium repentina. Cuius post obitum maritus contemplans cecidisse fiduciam qua se fultum existimabat, anxia cogitatione, quid moliretur haerebat. Illud tamen te esse admonitum volo, primum ut qualis es talem te esse omnes existiment ut, quantum a rerum turpitudine abes, tantum te a verborum libertate seiungas; deinde ut ea in alterum ne dicas, quae cum tibi falso responsa sint, erubescas. Quis est enim, cui via ista non pateat, qui isti aetati atque etiam isti dignitati non possit quam velit petulanter, etiamsi sine ulla suspicione, at non sine argumento male dicere? Sed istarum partium culpa est eorum, qui te agere voluerunt; laus pudoris tui, quod ea te invitum dicere videbamus, ingenii, quod ornate politeque dixisti. Etenim si attendere diligenter, existimare vere de omni hac causa volueritis, sic constituetis, iudices, nec descensurum quemquam ad hanc accusationem fuisse, cui, utrum vellet, liceret, nec, cum descendisset, quicquam habiturum spei fuisse, nisi alicuius intolerabili libidine et nimis acerbo odio niteretur. Sed ego Atratino, humanissimo atque optimo adulescenti meo necessario, ignosco, qui habet excusationem vel pietatis vel necessitatis vel aetatis. Si voluit accusare, pietati tribuo, si iussus est, necessitati, si speravit aliquid, pueritiae. ![]() ![]() Ceteris non modo nihil ignoscendum, sed etiam acriter est resistendum. Per hoc minui studium suum existimans Paulus, ut erat in conplicandis negotiis artifex dirus, unde ei Catenae inditum est cognomentum, vicarium ipsum eos quibus praeerat adhuc defensantem ad sortem periculorum communium traxit. Et instabat ut eum quoque cum tribunis et aliis pluribus ad comitatum imperatoris vinctum perduceret: quo percitus ille exitio urgente abrupto ferro eundem adoritur Paulum. Et quia languente dextera, letaliter ferire non potuit, iam districtum mucronem in proprium latus inpegit. Hocque deformi genere mortis excessit e vita iustissimus rector ausus miserabiles casus levare multorum. Excogitatum est super his, ut homines quidam ignoti, vilitate ipsa parum cavendi ad colligendos rumores per Antiochiae latera cuncta destinarentur relaturi quae audirent. Hi peragranter et dissimulanter honoratorum circulis adsistendo pervadendoque divites domus egentium habitu quicquid noscere poterant vel audire latenter intromissi per posticas in regiam nuntiabant, id observantes conspiratione concordi, ut fingerent quaedam et cognita duplicarent in peius, laudes vero supprimerent Caesaris, quas invitis conpluribus formido malorum inpendentium exprimebat. Sed (saepe enim redeo ad Scipionem, cuius omnis sermo erat de amicitia) querebatur, quod omnibus in rebus homines diligentiores essent; capras et oves quot quisque haberet, dicere posse, amicos quot haberet, non posse dicere et in illis quidem parandis adhibere curam, in amicis eligendis neglegentis esse nec habere quasi signa quaedam et notas, quibus eos qui ad amicitias essent idonei, iudicarent. Sunt igitur firmi et stabiles et constantes eligendi; cuius generis est magna penuria. Et iudicare difficile est sane nisi expertum; experiendum autem est in ipsa amicitia. Ita praecurrit amicitia iudicium tollitque experiendi potestatem. Nec sane haec sola pernicies orientem diversis cladibus adfligebat. Namque et Isauri, quibus est usitatum saepe pacari saepeque inopinis excursibus cuncta miscere, ex latrociniis occultis et raris, alente inpunitate adulescentem in peius audaciam ad bella gravia proruperunt, diu quidem perduelles spiritus inrequietis motibus erigentes, hac tamen indignitate perciti vehementer, ut iactitabant, quod eorum capiti quidam consortes apud Iconium Pisidiae oppidum in amphitheatrali spectaculo feris praedatricibus obiecti sunt praeter morem. Qui se etiam nunc subsidiis patrimonii aut amicorum liberalitate sustentant, hos perire patiemur? An, si qui frui publico non potuit per hostem, hic tegitur ipsa lege censoria; quem is frui non sinit, qui est, etiamsi non appellatur, hostis, huic ferri auxilium non oportet? Retinete igitur in provincia diutius eum, qui de sociis cum hostibus, de civibus cum sociis faciat pactiones, qui hoc etiam se pluris esse quam collegam putet, quod ille vos tristia voltuque deceperit, ipse numquam se minus quam erat, nequam esse simularit. Piso autem alio quodam modo gloriatur se brevi tempore perfecisse, ne Gabinius unus omnium nequissimus existimaretur. Nec sane haec sola pernicies orientem diversis cladibus adfligebat. Namque et Isauri, quibus est usitatum saepe pacari saepeque inopinis excursibus cuncta miscere, ex latrociniis occultis et raris, alente inpunitate adulescentem in peius audaciam ad bella gravia proruperunt, diu quidem perduelles spiritus inrequietis motibus erigentes, hac tamen indignitate perciti vehementer, ut iactitabant, quod eorum capiti quidam consortes apud Iconium Pisidiae oppidum in amphitheatrali spectaculo feris praedatricibus obiecti sunt praeter morem. Per hoc minui studium suum existimans Paulus, ut erat in conplicandis negotiis artifex dirus, unde ei Catenae inditum est cognomentum, vicarium ipsum eos quibus praeerat adhuc defensantem ad sortem periculorum communium traxit. Et instabat ut eum quoque cum tribunis et aliis pluribus ad comitatum imperatoris vinctum perduceret: quo percitus ille exitio urgente abrupto ferro eundem adoritur Paulum. Et quia languente dextera, letaliter ferire non potuit, iam districtum mucronem in proprium latus inpegit. Hocque deformi genere mortis excessit e vita iustissimus rector ausus miserabiles casus levare multorum. Nec sane haec sola pernicies orientem diversis cladibus adfligebat. Namque et Isauri, quibus est usitatum saepe pacari saepeque inopinis excursibus cuncta miscere, ex latrociniis occultis et raris, alente inpunitate adulescentem in peius audaciam ad bella gravia proruperunt, diu quidem perduelles spiritus inrequietis motibus erigentes, hac tamen indignitate perciti vehementer, ut iactitabant, quod eorum capiti quidam consortes apud Iconium Pisidiae oppidum in amphitheatrali spectaculo feris praedatricibus obiecti sunt praeter morem. Post haec Gallus Hierapolim profecturus ut expeditioni specie tenus adesset, Antiochensi plebi suppliciter obsecranti ut inediae dispelleret metum, quae per multas difficilisque causas adfore iam sperabatur, non ut mos est principibus, quorum diffusa potestas localibus subinde medetur aerumnis, disponi quicquam statuit vel ex provinciis alimenta transferri conterminis, sed consularem Syriae Theophilum prope adstantem ultima metuenti multitudini dedit id adsidue replicando quod invito rectore nullus egere poterit victu. Quapropter a natura mihi videtur potius quam ab indigentia orta amicitia, applicatione magis animi cum quodam sensu amandi quam cogitatione quantum illa res utilitatis esset habitura. Quod quidem quale sit, etiam in bestiis quibusdam animadverti potest, quae ex se natos ita amant ad quoddam tempus et ab eis ita amantur ut facile earum sensus appareat. Quod in homine multo est evidentius, primum ex ea caritate quae est inter natos et parentes, quae dirimi nisi detestabili scelere non potest; deinde cum similis sensus exstitit amoris, si aliquem nacti sumus cuius cum moribus et natura congruamus, quod in eo quasi lumen aliquod probitatis et virtutis perspicere videamur. Film dvdrip lundi 29 octobre 2012. Qui est, etiamsi non appellatur, hostis, huic ferri auxilium non oportet? Retinete igitur in provincia diutius eum. Feb 10, 2010 Quando chegam no deserto eles se deparam com autoridades sauditas desconfiadas e hostis a americanos se intrometerem em um. Ciliciam vero, quae Cydno amni exultat, Tarsus nobilitat, urbs perspicabilis hanc condidisse Perseus memoratur, Iovis filius et Danaes, vel certe ex Aethiopia profectus Sandan quidam nomine vir opulentus et nobilis et Anazarbus auctoris vocabulum referens, et Mopsuestia vatis illius domicilium Mopsi, quem a conmilitio Argonautarum cum aureo vellere direpto redirent, errore abstractum delatumque ad Africae litus mors repentina consumpsit, et ex eo cespite punico tecti manes eius heroici dolorum varietati medentur plerumque sospitales. Cumque pertinacius ut legum gnarus accusatorem flagitaret atque sollemnia, doctus id Caesar libertatemque superbiam ratus tamquam obtrectatorem audacem excarnificari praecepit, qui ita evisceratus ut cruciatibus membra deessent, inplorans caelo iustitiam, torvum renidens fundato pectore mansit inmobilis nec se incusare nec quemquam alium passus et tandem nec confessus nec confutatus cum abiecto consorte poenali est morte multatus. Et ducebatur intrepidus temporum iniquitati insultans, imitatus Zenonem illum veterem Stoicum qui ut mentiretur quaedam laceratus diutius, avulsam sedibus linguam suam cum cruento sputamine in oculos interrogantis Cyprii regis inpegit. Cuius acerbitati uxor grave accesserat incentivum, germanitate Augusti turgida supra modum, quam Hannibaliano regi fratris filio antehac Constantinus iunxerat pater, Megaera quaedam mortalis, inflammatrix saevientis adsidua, humani cruoris avida nihil mitius quam maritus; qui paulatim eruditiores facti processu temporis ad nocendum per clandestinos versutosque rumigerulos conpertis leviter addere quaedam male suetos falsa et placentia sibi discentes, adfectati regni vel artium nefandarum calumnias insontibus adfligebant. Cumque pertinacius ut legum gnarus accusatorem flagitaret atque sollemnia, doctus id Caesar libertatemque superbiam ratus tamquam obtrectatorem audacem excarnificari praecepit, qui ita evisceratus ut cruciatibus membra deessent, inplorans caelo iustitiam, torvum renidens fundato pectore mansit inmobilis nec se incusare nec quemquam alium passus et tandem nec confessus nec confutatus cum abiecto consorte poenali est morte multatus. Et ducebatur intrepidus temporum iniquitati insultans, imitatus Zenonem illum veterem Stoicum qui ut mentiretur quaedam laceratus diutius, avulsam sedibus linguam suam cum cruento sputamine in oculos interrogantis Cyprii regis inpegit. ![]() Quam quidem partem accusationis admiratus sum et moleste tuli potissimum esse Atratino datam. Neque enim decebat neque aetas illa postulabat neque, id quod animadvertere poteratis, pudor patiebatur optimi adulescentis in tali illum oratione versari. Vellem aliquis ex vobis robustioribus hunc male dicendi locum suscepisset; aliquanto liberius et fortius et magis more nostro refutaremus istam male dicendi licentiam. Tecum, Atratine, agam lenius, quod et pudor tuus moderatur orationi meae et meum erga te parentemque tuum beneficium tueri debeo. Illud tamen te esse admonitum volo, primum ut qualis es talem te esse omnes existiment ut, quantum a rerum turpitudine abes, tantum te a verborum libertate seiungas; deinde ut ea in alterum ne dicas, quae cum tibi falso responsa sint, erubescas. Quis est enim, cui via ista non pateat, qui isti aetati atque etiam isti dignitati non possit quam velit petulanter, etiamsi sine ulla suspicione, at non sine argumento male dicere? Sed istarum partium culpa est eorum, qui te agere voluerunt; laus pudoris tui, quod ea te invitum dicere videbamus, ingenii, quod ornate politeque dixisti. Etenim si attendere diligenter, existimare vere de omni hac causa volueritis, sic constituetis, iudices, nec descensurum quemquam ad hanc accusationem fuisse, cui, utrum vellet, liceret, nec, cum descendisset, quicquam habiturum spei fuisse, nisi alicuius intolerabili libidine et nimis acerbo odio niteretur. Sed ego Atratino, humanissimo atque optimo adulescenti meo necessario, ignosco, qui habet excusationem vel pietatis vel necessitatis vel aetatis. Si voluit accusare, pietati tribuo, si iussus est, necessitati, si speravit aliquid, pueritiae. Ceteris non modo nihil ignoscendum, sed etiam acriter est resistendum. Quam ob rem vita quidem talis fuit vel fortuna vel gloria, ut nihil posset accedere, moriendi autem sensum celeritas abstulit; quo de genere mortis difficile dictu est; quid homines suspicentur, videtis; hoc vere tamen licet dicere, P. Scipioni ex multis diebus, quos in vita celeberrimos laetissimosque viderit, illum diem clarissimum fuisse, cum senatu dimisso domum reductus ad vesperum est a patribus conscriptis, populo Romano, sociis et Latinis, pridie quam excessit e vita, ut ex tam alto dignitatis gradu ad superos videatur deos potius quam ad inferos pervenisse. Novo denique perniciosoque exemplo idem Gallus ausus est inire flagitium grave, quod Romae cum ultimo dedecore temptasse aliquando dicitur Gallienus, et adhibitis paucis clam ferro succinctis vesperi per tabernas palabatur et conpita quaeritando Graeco sermone, cuius erat inpendio gnarus, quid de Caesare quisque sentiret. Et haec confidenter agebat in urbe ubi pernoctantium luminum claritudo dierum solet imitari fulgorem. Postremo agnitus saepe iamque, si prodisset, conspicuum se fore contemplans, non nisi luce palam egrediens ad agenda quae putabat seria cernebatur. Et haec quidem medullitus multis gementibus agebantur. Ut enim quisque sibi plurimum confidit et ut quisque maxime virtute et sapientia sic munitus est, ut nullo egeat suaque omnia in se ipso posita iudicet, ita in amicitiis expetendis colendisque maxime excellit. Africanus indigens mei? Minime hercule! Ac ne ego quidem illius; sed ego admiratione quadam virtutis eius, ille vicissim opinione fortasse non nulla, quam de meis moribus habebat, me dilexit; auxit benevolentiam consuetudo. Sed quamquam utilitates multae et magnae consecutae sunt, non sunt tamen ab earum spe causae diligendi profectae. Huic Arabia est conserta, ex alio latere Nabataeis contigua; opima varietate conmerciorum castrisque oppleta validis et castellis, quae ad repellendos gentium vicinarum excursus sollicitudo pervigil veterum per oportunos saltus erexit et cautos. Haec quoque civitates habet inter oppida quaedam ingentes Bostram et Gerasam atque Philadelphiam murorum firmitate cautissimas. Hanc provinciae inposito nomine rectoreque adtributo obtemperare legibus nostris Traianus conpulit imperator incolarum tumore saepe contunso cum glorioso marte Mediam urgeret et Parthos. Harum trium sententiarum nulli prorsus assentior. Nec enim illa prima vera est, ut, quem ad modum in se quisque sit, sic in amicum sit animatus. Quam multa enim, quae nostra causa numquam faceremus, facimus causa amicorum! Precari ab indigno, supplicare, tum acerbius in aliquem invehi insectarique vehementius, quae in nostris rebus non satis honeste, in amicorum fiunt honestissime; multaeque res sunt in quibus de suis commodis viri boni multa detrahunt detrahique patiuntur, ut iis amici potius quam ipsi fruantur. Inter quos Paulus eminebat notarius ortus in Hispania, glabro quidam sub vultu latens, odorandi vias periculorum occultas perquam sagax. Is in Brittanniam missus ut militares quosdam perduceret ausos conspirasse Magnentio, cum reniti non possent, iussa licentius supergressus fluminis modo fortunis conplurium sese repentinus infudit et ferebatur per strages multiplices ac ruinas, vinculis membra ingenuorum adfligens et quosdam obterens manicis, crimina scilicet multa consarcinando a veritate longe discreta. Unde admissum est facinus impium, quod Constanti tempus nota inusserat sempiterna. Huic Arabia est conserta, ex alio latere Nabataeis contigua; opima varietate conmerciorum castrisque oppleta validis et castellis, quae ad repellendos gentium vicinarum excursus sollicitudo pervigil veterum per oportunos saltus erexit et cautos. Haec quoque civitates habet inter oppida quaedam ingentes Bostram et Gerasam atque Philadelphiam murorum firmitate cautissimas. Hanc provinciae inposito nomine rectoreque adtributo obtemperare legibus nostris Traianus conpulit imperator incolarum tumore saepe contunso cum glorioso marte Mediam urgeret et Parthos. Post haec Gallus Hierapolim profecturus ut expeditioni specie tenus adesset, Antiochensi plebi suppliciter obsecranti ut inediae dispelleret metum, quae per multas difficilisque causas adfore iam sperabatur, non ut mos est principibus, quorum diffusa potestas localibus subinde medetur aerumnis, disponi quicquam statuit vel ex provinciis alimenta transferri conterminis, sed consularem Syriae Theophilum prope adstantem ultima metuenti multitudini dedit id adsidue replicando quod invito rectore nullus egere poterit victu. Cumque pertinacius ut legum gnarus accusatorem flagitaret atque sollemnia, doctus id Caesar libertatemque superbiam ratus tamquam obtrectatorem audacem excarnificari praecepit, qui ita evisceratus ut cruciatibus membra deessent, inplorans caelo iustitiam, torvum renidens fundato pectore mansit inmobilis nec se incusare nec quemquam alium passus et tandem nec confessus nec confutatus cum abiecto consorte poenali est morte multatus. Et ducebatur intrepidus temporum iniquitati insultans, imitatus Zenonem illum veterem Stoicum qui ut mentiretur quaedam laceratus diutius, avulsam sedibus linguam suam cum cruento sputamine in oculos interrogantis Cyprii regis inpegit. Quam quidem partem accusationis admiratus sum et moleste tuli potissimum esse Atratino datam. Neque enim decebat neque aetas illa postulabat neque, id quod animadvertere poteratis, pudor patiebatur optimi adulescentis in tali illum oratione versari. Vellem aliquis ex vobis robustioribus hunc male dicendi locum suscepisset; aliquanto liberius et fortius et magis more nostro refutaremus istam male dicendi licentiam. Tecum, Atratine, agam lenius, quod et pudor tuus moderatur orationi meae et meum erga te parentemque tuum beneficium tueri debeo. Harum trium sententiarum nulli prorsus assentior. Nec enim illa prima vera est, ut, quem ad modum in se quisque sit, sic in amicum sit animatus. Quam multa enim, quae nostra causa numquam faceremus, facimus causa amicorum! Precari ab indigno, supplicare, tum acerbius in aliquem invehi insectarique vehementius, quae in nostris rebus non satis honeste, in amicorum fiunt honestissime; multaeque res sunt in quibus de suis commodis viri boni multa detrahunt detrahique patiuntur, ut iis amici potius quam ipsi fruantur. Quapropter a natura mihi videtur potius quam ab indigentia orta amicitia, applicatione magis animi cum quodam sensu amandi quam cogitatione quantum illa res utilitatis esset habitura. Quod quidem quale sit, etiam in bestiis quibusdam animadverti potest, quae ex se natos ita amant ad quoddam tempus et ab eis ita amantur ut facile earum sensus appareat. Quod in homine multo est evidentius, primum ex ea caritate quae est inter natos et parentes, quae dirimi nisi detestabili scelere non potest; deinde cum similis sensus exstitit amoris, si aliquem nacti sumus cuius cum moribus et natura congruamus, quod in eo quasi lumen aliquod probitatis et virtutis perspicere videamur. Iamque lituis cladium concrepantibus internarum non celate ut antea turbidum saeviebat ingenium a veri consideratione detortum et nullo inpositorum vel conpositorum fidem sollemniter inquirente nec discernente a societate noxiorum insontes velut exturbatum e iudiciis fas omne discessit, et causarum legitima silente defensione carnifex rapinarum sequester et obductio capitum et bonorum ubique multatio versabatur per orientales provincias, quas recensere puto nunc oportunum absque Mesopotamia digesta, cum bella Parthica dicerentur, et Aegypto, quam necessario aliud reieci ad tempus. Nam quibusdam, quos audio sapientes habitos in Graecia, placuisse opinor mirabilia quaedam (sed nihil est quod illi non persequantur argutiis): partim fugiendas esse nimias amicitias, ne necesse sit unum sollicitum esse pro pluribus; satis superque esse sibi suarum cuique rerum, alienis nimis implicari molestum esse; commodissimum esse quam laxissimas habenas habere amicitiae, quas vel adducas, cum velis, vel remittas; caput enim esse ad beate vivendum securitatem, qua frui non possit animus, si tamquam parturiat unus pro pluribus. Ut enim quisque sibi plurimum confidit et ut quisque maxime virtute et sapientia sic munitus est, ut nullo egeat suaque omnia in se ipso posita iudicet, ita in amicitiis expetendis colendisque maxime excellit. Africanus indigens mei? Minime hercule! Ac ne ego quidem illius; sed ego admiratione quadam virtutis eius, ille vicissim opinione fortasse non nulla, quam de meis moribus habebat, me dilexit; auxit benevolentiam consuetudo. Sed quamquam utilitates multae et magnae consecutae sunt, non sunt tamen ab earum spe causae diligendi profectae. Quapropter a natura mihi videtur potius quam ab indigentia orta amicitia, applicatione magis animi cum quodam sensu amandi quam cogitatione quantum illa res utilitatis esset habitura. Quod quidem quale sit, etiam in bestiis quibusdam animadverti potest, quae ex se natos ita amant ad quoddam tempus et ab eis ita amantur ut facile earum sensus appareat. Quod in homine multo est evidentius, primum ex ea caritate quae est inter natos et parentes, quae dirimi nisi detestabili scelere non potest; deinde cum similis sensus exstitit amoris, si aliquem nacti sumus cuius cum moribus et natura congruamus, quod in eo quasi lumen aliquod probitatis et virtutis perspicere videamur. Qui se etiam nunc subsidiis patrimonii aut amicorum liberalitate sustentant, hos perire patiemur? An, si qui frui publico non potuit per hostem, hic tegitur ipsa lege censoria; quem is frui non sinit, qui est, etiamsi non appellatur, hostis, huic ferri auxilium non oportet? Retinete igitur in provincia diutius eum, qui de sociis cum hostibus, de civibus cum sociis faciat pactiones, qui hoc etiam se pluris esse quam collegam putet, quod ille vos tristia voltuque deceperit, ipse numquam se minus quam erat, nequam esse simularit. Piso autem alio quodam modo gloriatur se brevi tempore perfecisse, ne Gabinius unus omnium nequissimus existimaretur. Quam ob rem vita quidem talis fuit vel fortuna vel gloria, ut nihil posset accedere, moriendi autem sensum celeritas abstulit; quo de genere mortis difficile dictu est; quid homines suspicentur, videtis; hoc vere tamen licet dicere, P. Scipioni ex multis diebus, quos in vita celeberrimos laetissimosque viderit, illum diem clarissimum fuisse, cum senatu dimisso domum reductus ad vesperum est a patribus conscriptis, populo Romano, sociis et Latinis, pridie quam excessit e vita, ut ex tam alto dignitatis gradu ad superos videatur deos potius quam ad inferos pervenisse. Novo denique perniciosoque exemplo idem Gallus ausus est inire flagitium grave, quod Romae cum ultimo dedecore temptasse aliquando dicitur Gallienus, et adhibitis paucis clam ferro succinctis vesperi per tabernas palabatur et conpita quaeritando Graeco sermone, cuius erat inpendio gnarus, quid de Caesare quisque sentiret. Et haec confidenter agebat in urbe ubi pernoctantium luminum claritudo dierum solet imitari fulgorem. Postremo agnitus saepe iamque, si prodisset, conspicuum se fore contemplans, non nisi luce palam egrediens ad agenda quae putabat seria cernebatur. Et haec quidem medullitus multis gementibus agebantur. Quam quidem partem accusationis admiratus sum et moleste tuli potissimum esse Atratino datam. Neque enim decebat neque aetas illa postulabat neque, id quod animadvertere poteratis, pudor patiebatur optimi adulescentis in tali illum oratione versari. Vellem aliquis ex vobis robustioribus hunc male dicendi locum suscepisset; aliquanto liberius et fortius et magis more nostro refutaremus istam male dicendi licentiam. Tecum, Atratine, agam lenius, quod et pudor tuus moderatur orationi meae et meum erga te parentemque tuum beneficium tueri debeo. Quam ob rem vita quidem talis fuit vel fortuna vel gloria, ut nihil posset accedere, moriendi autem sensum celeritas abstulit; quo de genere mortis difficile dictu est; quid homines suspicentur, videtis; hoc vere tamen licet dicere, P. Scipioni ex multis diebus, quos in vita celeberrimos laetissimosque viderit, illum diem clarissimum fuisse, cum senatu dimisso domum reductus ad vesperum est a patribus conscriptis, populo Romano, sociis et Latinis, pridie quam excessit e vita, ut ex tam alto dignitatis gradu ad superos videatur deos potius quam ad inferos pervenisse. Quam quidem partem accusationis admiratus sum et moleste tuli potissimum esse Atratino datam. Neque enim decebat neque aetas illa postulabat neque, id quod animadvertere poteratis, pudor patiebatur optimi adulescentis in tali illum oratione versari. Vellem aliquis ex vobis robustioribus hunc male dicendi locum suscepisset; aliquanto liberius et fortius et magis more nostro refutaremus istam male dicendi licentiam. Tecum, Atratine, agam lenius, quod et pudor tuus moderatur orationi meae et meum erga te parentemque tuum beneficium tueri debeo. Title: Maze Runner: The Death Cure Subtitles Director: Wes Ball Release Date: 26 January 2018 Description: 'In the epic finale to The Maze Runner Saga, Thomas drives his gathering of got away Gladers on their last and most risky mission yet. To spare their companions, they should break into the incredible last city, a WCKD controlled maze that may end up being the deadliest labyrinth of all. Any individual who influences it out alive will to find the solutions to the inquiries the Gladers have been asking since they initially touched base in the labyrinth. Will Thomas and the group make it out alive? Or on the other hand will Ava Paige get her direction?' In the young adult movie genre it is rare to find a film that properly explores the grey between 'good' and evil'. The Death Cure does this, and does it beautifully. This movie may not have the best paced plot, or the most logical action/escape scenes, but it has a heart. It doesn't follow a group of heroes who set out to save the world; it follows a group of friends who just want to rescue one of their own, and are willing to put themselves at risk to do it. The main strength of the Death Cure in comparison to the other instalments is its ability to articulate the moral question at the heart of the whole series: Is it right to sacrifice your humanity in order to save lives? The series provides no clear answer, instead allowing the audience to empathise with both the protagonists' and antagonists' motives. Everyone (except maybe Janson) was just doing what they thought to be right. ![]() ![]() ![]() The scenes towards the end of the film, however, do highlight how disenfranchisement, caused as a result of WKCD's actions, can halt any progress and bring about destruction all the faster (a theme perhaps more relevant to the present day than 'the government is evil, let's take it down' i.e. The Hunger Games). Overall the film stays relatively true to the main themes of the novel, with only minor plot adjustments, and is an enjoyable and thought provoking watch. Download Maze Runner: The Death Cure English Subtitles from Freesubtitlesdownload. The ending scene is particularly powerful and brought many people in the cinema to tears. Diamantina Mountains, Brazil, 1821. A slave trader, ANTONIO, returns to the decadent, but imposing farmhouse he inherited to discover his wife has died in child birth. Confined to this desolate property in the company of his demented mother-in-law and numerous slaves, he marries his dead wife's niece, BEATRIZ, a child of 12. A restless soul, he returns to his trading expeditions, and leaves his child wife behind. The loneliness of the big house in the rugged landscape mirrors that of its inhabitants. Each one has been displaced from his original home and forced into co-existence. Obsessed with the aristocratic ennui of its characters, Vazante is filled with lengthy. DVD s of The Teacher, a Thunderhead prizepack, and more. Vazante release date for Cinema January 12, 2018 4 Days Ago (US) We will only notify you about the most important info & release updates Notify me when Vazante is available. Vazante movie reviews & Metacritic score: Upon returning from a trading expedition, Antonio discovers that his wife has died in labor. DVD & Streaming. Best of 2017. The undercurrents of violence and prejudice, which still plague the Brazil of today, accelerate the inevitable tragedy which, in turn, heralds the tides of change. 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Available Movie Formats of Vazante (2017) 720p DVDRip Bluray Rip Quality Movie, Mobile, MP4, 3GP, MKV, 4K UltraHD Quality, HD Streaming Online, Full Movie DVD, HD Quality 720p, 1080p, HDRip, BluRay DVD, DVD Rip. Vazante (2017) Full Movie Download Availability Full Vazante (2017) Movie Download HD, DvDRip, BrRip, 720P, 1080P, BluRay, MKV, Mp4, divx, 3gp, Pc, Mobile, Tablet, iPhone, iPad, Mac. Watch Vazante (2017) Online Streaming on Your Favourite Streaming Channels Watch Vazante 2017 Online Free on YouTube, DailyMotion, Videobb, Vimeo.com, Veoh.com, Alluc, PrimeWire, Yahoo Movies, MetaCafe, Hulu, RuTube, iTunes, Amazon Video, Amazon Prime Instant Video, Vudu, Google Play, NetFlix, BigFlix, HBO Now, Starz, Sling TV, DirecTV Now, HotStar, Sling Orange, Vevo. Available Movie Formats of Vazante (2017) 720p DVDRip Bluray Rip Quality Movie, Mobile, MP4, 3GP, MKV, 4K UltraHD Quality, HD Streaming Online, Full Movie DVD, HD Quality 720p, 1080p, HDRip, BluRay DVD, DVD Rip. ![]() ![]() |
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